Here's the core of my mobile setup - suitable for TV, film, ENG, and studio work.
As far as recorders go, there isn't better. Supporting up to 10 inputs with an additional stereo mix, there's little you can throw at this that it can't take.
While similar in features to recorders like the Zoom F8, this recorder takes the quality to whole new levels.
These are a common workhorse of TV, film, and stage. Using the GB radio band reserved specifically for film work to avoid radio interference, using my PMSE OfCom license.
Very popular with film, these small form factor microphones are in their element when hiding under clothing. You will have seen TV shows and Hollywood productions that use these. Included in my kit is a bunch of accessories and tricks to mount these in hard-to-get places, as well as exposed mounts for interviews.
Securing the radio packs to your actors are top-of-the-line URSA straps.
Holding all my cargo is a system optimised for long hours on the move. Also pleased to use it while sitting down!
This Rode interference tube microphone provides a good balance between side-rejection and a natural sound both indoors and out.
Keeping the NTG1 safe from wind and bumps is the Rode suspension system.
Records 4-channels of audio, working as my backup or secondary reorder.